Documenting from Scotland the rise of the One World King; the "masonic" Sun God.
Showing posts with label Warhol. Show all posts
Showing posts with label Warhol. Show all posts
Saturday, 13 July 2013
Queens and Kings
Lady Gaga is always a favourite here, yesterday it was announced that her new album, ARTPOP, a "reverse Warholian expedition", is to be released on 11/11 - apparently some sort of "Big Bang" (mail on line) . The subliminal side of the digits 11 11, I covered in the post Binary Finary, whilst the occult side of Warhol's Campbell's can images was briefly noted in the post Stir Crazy. My most memorable aspects of Gaga were her Orange Colored Sky dedication to Prince William and Kate (here) and her ram's headed Lady Diana tribute (here).
As noted in my previous post, yesterday was Orangeman's (King Billy) Day, marked with ubiquitous bonfires, marching bands and rioting in Ireland. One wonders if there was perhaps any symbolic connection to the unexplained fire on the parked Boeing 787 Dreamliner at Heathrow yesterday, given the name of the Ethiopian airline plane is the Queen of Sheba. (BBC news)
From wiki re Queen of Sheba :
According to the Hebrew Bible, the unnamed queen of the land of Sheba heard of the great wisdom of King Solomon of Israel and journeyed there with gifts of spices, gold, precious stones and beautiful wood and to test him with questions..
Christian interpretations of the scriptures mentioning the Queen of Sheba in the Hebrew Bible, typically have emphasized both the historical and metaphorical values in the story. The account of the Queen of Sheba is thereby interpreted by Christians as being both a metaphor and an analogy: the Queen's visit to Solomon has been compared to the metaphorical marriage of the Church to Christ where Solomon is the anointed one or the messiah and Sheba represents a Gentile population submitting to the messiah..
From wiki re Freemasonry :
Freemasonry uses the metaphors of operative stonemasons' tools and implements, against the allegorical backdrop of the building of King Solomon's Temple, to convey what has been described by both Masons and critics as "a system of morality veiled in allegory and illustrated by symbols
cheers
Sunday, 7 April 2013
Stir-Crazy
My head is bubbling with all this Glencoe massacre, freemasonry, William of Orange balls, so I thought I would perhaps lighten my load by meeting the realms of art, something which totally disinterests me but seems to appeal to many. Broaden my horizons so to speak, get out of the can.
I noted the up and coming anatomical Da Vinci exhibition at Holyrood Palace - where the Queen historically met the Pope before he took stock with disgraced Cardinal O' Brien for lunch and prayers over St. Andrew's bones - just last month (Palmistry), but it does not start until 2nd August.
There's an exhibition on at Leith though, by a Frank To, which has been "inspired by Dante's Divine Comedy". Apparently each of the paintings reflects the character of a Glasgow subway station. It all seems a bit dark to me, not comical at all, especially Frank's vision of Hell. Plus, it looks like most of the work is on the BBC site already, so what's the point ?
Maybe I will leave my new hobby until 4th October as it appears that an exhibition of Andy Warhol's work is to go on show at the Scottish Parliament building, which incidentally is only the throw of a stone from Royal Holyrood Palace. It's about a mile from there to Edinburgh Castle and the SOD (Stone of Destiny). According to the Scotland on Sunday the showcase promises to be fit for a king, with portrayals of the Queen, a series of screen prints depicting the JFK assassination, iconic "hammer and sickle" depictions, and a "devilish" Richard Nixon.
Unfortunately though, I note from here, that "The hammer and sickle symbol of Communism was adopted from Grand Orient Freemasonry, according to John Daniel, author of Scarlet and the Beast. In 1877, when French Grand Orient Freemasonry declared "God is dead", and "there is no God but humanity", they replaced the 'G' that had traditionally been at the center of the Masonic Square and Compass symbol with a hammer and sickle. "Notice that the symbol forms the letter 'G' backwards, which is symbolic of the negation of God and is French Freemasonry's declaration of atheism."
That's not forgetting James Shelby Downard and his JFK assassination "freemasonry" theories which are on the side bar.
And I wonder too if there will be any of Warhol's "Campbell's" works, and if they have any hidden significance in terms of the Glencoe massacre.
Back to the drawing board it is then.
cheers
Note - superlative article on Warhol here (and a good reason to study art)
"Even in his most well known paintings, Warhol has shown how the most unlikely commercial imagery may conceal peculiar symbols of occult significance, subliminal inscriptions, often overlooked as decorative and trademark vanities. Nonetheless, it seems as though Warhol scholars have long overlooked the possibility that with his presentation of the disposable and the trivial, Warhol was also revealing the subtle prevalence of esoteric symbolism within these objects."...
"Let us take for example the familiar screen prints of the Campbell’s Soup-Can. The simple soup-can, gilt with fleur-de-lis, depicts within in its central seal the Promethean embellishment of the “Worker,” held aloft by an angel and bearing the torch of enlightenment. The fleur-de-lis, being the herald of the first Frankish dynasts, chosen by the Merovingian King Clovis I, has long been the insignia of the Blood Royal, the supposed descendents of Christ. The label’s central image is a replica of the golden medal awarded to Campbell’s Soup at the Paris Exposition of 1900. The “worker” depicted in the image is identical to Paul Manfield’s Prometheus sculpture, in Rockefeller Plaza, with the reclining figure encircled by the belt of the Zodiac. It is the torch held by Prometheus that symbolizes the transmission of gnosis and mankind’s possession of the seven liberal arts and sciences of Masonic lore..... "
...Andy Warhol died on Billy Name’s birthday, February 22nd, exactly one month after the opening of his Last Supper exhibition in Milan..
Note that 22/2 is the date that Prince William appeared in Hello magazine, issue 1111.
I noted the up and coming anatomical Da Vinci exhibition at Holyrood Palace - where the Queen historically met the Pope before he took stock with disgraced Cardinal O' Brien for lunch and prayers over St. Andrew's bones - just last month (Palmistry), but it does not start until 2nd August.
There's an exhibition on at Leith though, by a Frank To, which has been "inspired by Dante's Divine Comedy". Apparently each of the paintings reflects the character of a Glasgow subway station. It all seems a bit dark to me, not comical at all, especially Frank's vision of Hell. Plus, it looks like most of the work is on the BBC site already, so what's the point ?
Maybe I will leave my new hobby until 4th October as it appears that an exhibition of Andy Warhol's work is to go on show at the Scottish Parliament building, which incidentally is only the throw of a stone from Royal Holyrood Palace. It's about a mile from there to Edinburgh Castle and the SOD (Stone of Destiny). According to the Scotland on Sunday the showcase promises to be fit for a king, with portrayals of the Queen, a series of screen prints depicting the JFK assassination, iconic "hammer and sickle" depictions, and a "devilish" Richard Nixon.
Unfortunately though, I note from here, that "The hammer and sickle symbol of Communism was adopted from Grand Orient Freemasonry, according to John Daniel, author of Scarlet and the Beast. In 1877, when French Grand Orient Freemasonry declared "God is dead", and "there is no God but humanity", they replaced the 'G' that had traditionally been at the center of the Masonic Square and Compass symbol with a hammer and sickle. "Notice that the symbol forms the letter 'G' backwards, which is symbolic of the negation of God and is French Freemasonry's declaration of atheism."
That's not forgetting James Shelby Downard and his JFK assassination "freemasonry" theories which are on the side bar.
And I wonder too if there will be any of Warhol's "Campbell's" works, and if they have any hidden significance in terms of the Glencoe massacre.
Back to the drawing board it is then.
cheers
Note - superlative article on Warhol here (and a good reason to study art)
"Even in his most well known paintings, Warhol has shown how the most unlikely commercial imagery may conceal peculiar symbols of occult significance, subliminal inscriptions, often overlooked as decorative and trademark vanities. Nonetheless, it seems as though Warhol scholars have long overlooked the possibility that with his presentation of the disposable and the trivial, Warhol was also revealing the subtle prevalence of esoteric symbolism within these objects."...
"Let us take for example the familiar screen prints of the Campbell’s Soup-Can. The simple soup-can, gilt with fleur-de-lis, depicts within in its central seal the Promethean embellishment of the “Worker,” held aloft by an angel and bearing the torch of enlightenment. The fleur-de-lis, being the herald of the first Frankish dynasts, chosen by the Merovingian King Clovis I, has long been the insignia of the Blood Royal, the supposed descendents of Christ. The label’s central image is a replica of the golden medal awarded to Campbell’s Soup at the Paris Exposition of 1900. The “worker” depicted in the image is identical to Paul Manfield’s Prometheus sculpture, in Rockefeller Plaza, with the reclining figure encircled by the belt of the Zodiac. It is the torch held by Prometheus that symbolizes the transmission of gnosis and mankind’s possession of the seven liberal arts and sciences of Masonic lore..... "
...Andy Warhol died on Billy Name’s birthday, February 22nd, exactly one month after the opening of his Last Supper exhibition in Milan..
Note that 22/2 is the date that Prince William appeared in Hello magazine, issue 1111.
Labels:
broth,
Campbell's,
Edinburgh,
freemasonry,
pop-art,
soup,
Warhol
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